Viliam Kitanov is professionally biased in favour of the logo creation and decided to take a similar approach to the magazine making it more distinctive as well as his job more interesting. The key element is the idea behind the graphics. A graphic wit could be a letter, a word or a drawing, but it's always related to a design topic. As a result the magazine is not only the bearer of a certain information, but has its own additional value.
The book is about the living descendants of the great Hungarian poet, Sandor Petofi. It documents the vast amount of research the author did, ranging from interviews, archive photographs to detailed family trees. The book is divided between two families(the poet's mother's and father's branch). These are marked in the middle of the spreads with the page numbers. Each chapter starts with a fictional writing of the poet, as if he was commenting on his descendants. To show the relationships, family trees were drawn and placed on fold-out pages.
This issue celebrates Matariki, new beginnings and acknowledges influences and learnings; past, present and future. This edition’s intention is to increase awareness of contemporary Māori Art and Design but more importantly connect communities and industries locally and globally. This issue is a collaboration and co-edition with Ngā Aho featuring 10 of New Zealand’s most contemporary Māori artists and designers; Carin Wilson, Lisa Reihana, Rangi Kipa, Jack Gray, Elisapeta Hinemoa Heta, Lonnie Hutchinson, Natalie Robertson, Janet Lilo, Jessica Sanderson and Martin Awa Clarke Langdon.
“Design in Italy in project groups from 1960 to 1990” is a historical and analytical research that presents a study of the experiences of Italian design groups from the 1960s onwards. The aim is to analyse the developments and the importance they have had in the context of national and international design. Through the consultation of primary sources, this volume describes an unprecedented overview of a phenomenon that has still not been entirely historicized, tracing the outlines and investigating the connections between groups of designers, places, trends, and theoretical frameworks.
Vanishing Crafts is designed to promote the awareness of traditional crafts. It was conceived to serve as a memory project of Singapore, sharing stories of the last remaining artisans. Readers are invited to partake as co-creators. The pages are designed with lots of blank space for their curatorial input, their memory records and photographs of any traditional artisan and vanishing trade from around the world. In order for this valuable history to pass down for generations to come, a children’s storybook is included to introduce this heritage to the younger generations.
It was essential that the design of this catalogue be sympathetic to the work of this contemporary artist. The halftone dot was chosen as an approach for the cover as this technique has been one constant in the artist’s multifaceted career. The yellow color sleeve was incorporated as a way to reference the many layers in this artist’s practice, and the use of one of the Chorus faces on the cover was a humorous nod to the visitor experience. A spot-UV varnish was used on the cover to give the image a three-dimensional quality similar to his works.
Design Legends are extremely famous designers who make our World a better place with their good designs. Discover legendary designers and their innovative product designs, original art works, creative architecture, outstanding fashion designs and design strategies. Enjoy and explore original design works of award-winning designers, artists, architects, innovators and brands worldwide. Get inspired by creative designs.